Vermont's New Theater Company: Exploring Identity in 'Driver, Lender' (2026)

In the quaint town of Plainfield, Vermont, a unique and intriguing theatrical endeavor is about to unfold. The Goddard Institute of Dramatic Arts, a newly established theater company, has chosen the former Goddard College campus as its creative haven. This initiative, spearheaded by artistic directors Kristina Lear and David Warshofsky, aims to nurture emerging talent and bring professional theater to the heart of Vermont.

What makes this story particularly captivating is the intersection of art, identity, and the rebirth of a closed college. The play "Driver, Lender," written by Leo Kurland, delves into the complex world of acting and identity, fictionalizing Adam Driver's casting as Shylock in Shakespeare's "The Merchant of Venice."

The Power of Place

One aspect that immediately stands out is the choice of location. Plainfield, with its small population, offers a stark contrast to the bustling cities where many artists originate. Kurland, who grew up in Los Angeles and studied in Chicago, finds himself in a rural setting, an environment that fosters focus and collaboration. The Creative Campus at Goddard, once a thriving college, now serves as a hub for artistic redevelopment, a testament to the resilience of the arts.

A New Chapter for Goddard College

Goddard College, with its rich history spanning over 80 years, closed its doors in 2024. Yet, its legacy lives on through the artists it nurtured, including jazz legend Archie Shepp, members of the iconic band Phish, and renowned theater figures like David Mamet and William H. Macy. The new theater company, with its roots in the USC-Goddard College collaboration, continues this artistic tradition, bringing life back to the campus.

The Vision of Lear and Warshofsky

Kristina Lear and David Warshofsky, driven by their passion for theater, have embarked on a bold journey. Lear, with her roots in Vermont, and Warshofsky, still based in Los Angeles, share a vision to develop nascent talents and works. Their summer program, housed in the former college dorms, fosters a sense of community and creativity. Lear's personal connection to the campus, with her parents' history there, adds a layer of sentimentality to the endeavor.

The Challenge of Post-Pandemic Theater

The theater industry, like many others, has faced significant challenges post-pandemic. According to American Theatre magazine, audience numbers have not fully recovered. However, Lear and Warshofsky remain undeterred. They believe in the power of storytelling and the need for shared experiences. Their move to Vermont is a testament to their faith in the enduring appeal of live theater.

Exploring Identity on Stage

"Driver, Lender" explores a fascinating debate: can an actor truthfully portray a role that is not aligned with their own identity? Warshofsky, the director, guides his actors through this complex terrain, offering gentle direction and encouragement. Kurland, the playwright, finds that the company's input has refined his work, making his storyline more lucid. The play promises to spark thought-provoking discussions on identity and representation in acting.

A New Beginning for Academic Theater

Warshofsky sees the Goddard Institute as an opportunity for academic theater professionals to embrace creative freedom. He believes that the academy, with its potential for micromanagement and censorship, can be a constraint. By establishing this institute, he aims to create a space where artists can explore their creativity without boundaries. The experiment is a bold one, but Warshofsky is optimistic, believing that the unique offering will attract audiences.

Conclusion

The Goddard Institute of Dramatic Arts represents a fresh chapter in the arts landscape of Vermont. With its focus on developing new talent and presenting thought-provoking works, it promises to enrich the cultural fabric of the region. The story of this theater company is a reminder of the resilience of the arts and the power of place in fostering creativity. As the institute takes root, it will be fascinating to see how it shapes the artistic landscape of Vermont and beyond.

Vermont's New Theater Company: Exploring Identity in 'Driver, Lender' (2026)
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